I’m pretty proud and excited that a piece of short fiction I’ve been working on for quite some time has been published in Apex Magazine‘s Zodiac issue guest edited by Sheree Renée Thomas.
Sheree is the author of Sleeping Under the Tree of Life and her work is spun through with silver threads of magic, transformation and a kind of ‘lost knowing’, memories, dreams and instincts simmering just behind our eyes.
I genuinely couldn’t be happier that she chose to include Prism in the edition as the Gemini entry, and it can’t be denied that greater forces than mere luck were at work to make this happen. Not only was Apex the very first publication I submitted Prism to, but when Sheree got back in touch to ask for some structural tweaking before deciding whether or not it would get published, I discovered one of my favourite authors Cody Goodfellow had just announced his proof-reading services via Fiverr.
I literally had a window of a week to swallow my pride, submit the story for some “ruthless proof-reading” then delve back in and make the necessary changes. Having someone who knows the weird fiction industry inside out like Cody was an invaluable help. His feedback was indeed thorough, insightful and spot on. I think I actually squeaked in delight when he sent me some feedback and said there was “a bright pulsing vein” in my work.
PRISM is essentially a story about finding yourself (aren’t they all though?) and without wanting to give too much away I began writing it on the Hawkwind tour bus one twilight hour many moons ago. I wanted to translate some of the experiences I had whilst performing onstage and push it a step beyond. I feel like the gig scene in Prism is one of the most powerful I written and I’m really really proud of it. The story also started as a kind of homage to Caitlin R. Kiernan, one of my other all-time favourite authors as I wanted to work with an unreliable narrator in an abstract fantasy dreamscape.
Read PRISM for yourself, let me know what you think or listen the audio version which the Apex team have done an amazing job of producing.
And here’s a piece of artwork by the incredible Marta Nael that I obsessed over for a while whilst writing it, I’m sure you can see why.